Online Mixing Service

Elevate Your Audio

The mixing phase involves meticulously combining each individual track of your song to craft a complete stereo mix. Through the application of EQ, compression, reverb, delay, and various other techniques, we have the capacity to manipulate and position each track, ultimately attaining a well-balanced mix that is primed for the mastering stage.

The initial mix is typically completed within approximately 7-10 business days after receiving payment for your order.

Revisions to the mix are prioritised and carried out promptly. The overall time frame is strongly influenced by the responsiveness of the client, relying on timely feedback for revisions within the 14 day window to ensure a smooth progression towards the final version of the mix.

Opting for the “Rush Service" option will propel your order to the front of the queue, resulting in expedited processing, within 2 working days. However, the ultimate turnaround period still hinges on how swiftly the client provides feedback for revisions and final approval.

By choosing the "Mixed Stems" add-on for your order, you will receive all stems precisely as they are mixed within the session. 



These mixed stems encompass groups of instruments and vocal parts mixed into separate stereo files, as well as individual effects stems. 



Playback of these mixed stems replicates the final stereo mix. These mixed stems can be valuable for remixing and further production purposes.

Payment is made prior to commencing work on your music during the booking process. 



This approach ensures that our engineers can dedicate the required time and precision to provide you with the highest quality mix and master.

You can upload your tracks safely and securely through our booking form here

A detailed guide on how to export tracks correctly can be found here

Mix revisions are free within the 14 day timeframe from the initial mix delivery. 



Please ensure you offer feedback within a timely manner. If you request revisions past this date an additional fee of £50 will be incurred per revision.

Absolutely, this is crucial when collaborating with an online mix engineer. The rough mix or demo mix plays a pivotal role in confirming that the sent stems playback accurately.



Moreover, the rough mix helps set the overall balance you desire for each stem within the mix. By analysing the rough mix, we can determine the intended volume and placement of specific sounds in the mix in addition to the desired emotional tone and impact.

Reach out to us through email, and we can easily swap out the files for you. 



It's important to contact us as soon as possible to ensure we have the right files for mixing before we begin. If we've already started working on your mix and you need to provide entirely new tracks, there may be additional charges.

An experienced mix engineer can work with a wide range of music genres, without being restricted to any single one. We're proud of our capability to collaborate across a full spectrum of musical styles.

We also understand the significance of production style in specific music genres. To help you achieve your desired outcome with minimal revisions, we recommend providing reference tracks and detailed notes to communicate your vision as clearly as possible.

Please send us the stems without panning and provide notes on how you want them panned. Just include the stem names and their positions, for example "Lead Guitar - 75 Left" or "Rhythm Guitar - 30 Right.”

If it's a crucial part of your production and sound design, definitely keep automation turned on.



Otherwise, if it’s just functional volume automation please leave it inactive, as we will be taking care of this during the mixing process anyway.

You can leave reverb active if you want the exact reverb you've added in your song.

While we'll add reverb as needed, you may want a specific reverb to match your mix precisely. In this case, please supply a bounce of the reverb track set to 100% wet on the mix control within the plugin.

Keep any creative reverb that's inserted on a track active if it’s part of the sound design for the production.

However, we do request that you send us both the wet (processed) and dry (unprocessed) versions for effects that can be easily recreated, such as realistic reverbs.

This gives us the freedom to enhance your concepts if necessary. If you're unsure, providing both options is best.

Any duplicate dry versions will be excluded from the track count and will not increase the price. Please label the unprocessed versions of tracks with DRY SAFETY.

Absolutely, delay can bring about many different effects. If you've added a delay that's exactly how you want it to sound, it's part of your creative work. Removing it would take away an important part of your sound. 



It's best to leave delay active if you want it in your track.



If delays are on an aux send, please supply a bounce of the delay track set to 100% wet on the mix control within the plugin.



Otherwise, if inserted directly onto a track, please leave it active whilst exporting your tracks.



You are also welcome to send us another version of tracks without the effects, labelled with DRY SAFETY.



Any duplicate dry versions will be excluded from the track count and will not increase the price.

Vocals need to be organised, comped and edited without clicks, pops, or unwanted noises. 



They should be tuned and time adjusted to their desired amount and silent sections stripped. It's not advisable to send raw, unedited vocals for mixing.



However, we do offer an additional service if you need assistance with tuning and timing editing for £40 per track.

We offer the inclusion of detailed tuning and timings editing for vocals for an additional price of £40 per track.

A revision is an updated version of the mix which addresses any changes requested by the client.



For example; volume balance adjustments, adjusting the wet/dry balance on effects, automation moves etc.

There is no limit on the number of revisions within the 14 day window, starting from the delivery date of the initial mix. 



However, if additional revisions  are requested outside of this window, they can be completed for an additional fee of £50 per revision.

Our online mix rates are based on a 96 track limit. 



If you have more channels, not to worry, we can accommodate your needs for an additional fee £3 per track.

Our estimate of 7-10 days for mixing is calculated for a maximum of 4 songs per project. 



If you have more than 4 songs that need mixing, feel free to make a booking. We can accommodate this, but the turnaround time might exceed our typical 7-10 day goal. 



Once your booking is confirmed, we'll provide you with a revised estimate for the turnaround via email.

As long as you want! 



Our 7-10 day turnaround is based on the idea songs will generally be around or under 5 to 8 minutes. 



If you’re booking a group of songs that are longer than this that’s totally fine, it just may affect our ability to complete the songs within 7-10 days. 



We’ll give you an an estimated delivery date with the booking confirmation via email based on the amount of time required to complete the mix.



To compensate for the added workload, longer duration tracks over 8 minutes will incur an additional cost. This is calculated on the percentage of time over this duration, multiplied by the base cost of the mix.

Submitting reference tracks is strongly advised to ensure that the mix aligns with your intended sound. 



If you have a particular direction in mind for your song, please share what you'd like it to be compared to and provide notes outlining the aspects you like in the reference. 



Feel free to send multiple references, and we'll take them into consideration during the mix.

For online mixes, payment is necessary at the time of booking. Once the payment has been processed, we'll start working on your song. 



You have the option to pay with a debit or credit card when doing the online checkout.

We require audio files exported from your session with the original sample rate and bit depth they were recorded at. 



It's important that all audio files start from the same point in the DAW project, and are in WAV or AIFF format (44.1, 48, 88.2, or 96KHZ). Ensure the bit depth is either 24-bit or 32-bit Floating Point. 



If you have MIDI instruments, please bounce or convert them into audio files. 



For a detailed guide on delivering your files correctly, you can refer to the instructions provided here

In most cases, we prefer to start from where you left off. Please commit any effects or processing that play a crucial role in the overall sound design. Essentially, the sound you've crafted is what we'll work with.



However, we do request that you send us both the wet (processed) and dry (unprocessed) versions for effects that can be easily recreated, such as realistic reverbs. 



This gives us the freedom to enhance your concepts if necessary. 



If you're unsure, providing both options is best. 



Any duplicate dry versions will be excluded from the track count and will not increase the price. Please label the unprocessed versions of tracks with DRY SAFETY.

Certainly, but please note that this falls under an additional paid service. 



Please be aware that if the tracks require significant editing, it might extend the turnaround time beyond the 7-10 day estimate.

It’s not always necessary, but if editing is required it makes the process much easier knowing how tracks fit to the grid if we have the exact tempo and time signature information.



Some DAWs will also allow you to add this as metadata to the audio files when exporting.

If that’s not an option you can export a blank MIDI track from your session and it should write the necessary tempo map information within it.

Re-amping is simply taking a pre-recorded track and running it through hardware effect processors and amplifiers, to then re-record the signal back into the session.



This is a helpful option if you don’t have the means of recording convincing guitar and bass tones with your own setup.



If you want a track, such as DI guitar or bass, to be re-recorded through a chain of high-quality pedals, amplifiers, microphones, and outboard equipment, we highly recommend this service. 



Please provide a description and a link to a reference track for the intended tone in the info box.

The pricing is determined by your chosen mix services. 


The starting point for a basic mix package can be as low as £80, while premium packages can go up to £500+ based on your specific mix needs.



We offer complete customisation, allowing you to select the mix options you want for your song to ensure you only pay for what you need. 



To receive a personalised price and an overview of all our services, please click here and follow the instructions.

Included in every package is the option for you to say after the mix has been delivered if there are any changes you would like us to make.



We call these “revisions”.



We then open up your mixing session project and send back to you the requested alterations to ensure you are happy with your final result.



There is no limit on the number of revisions within the 14 day window, starting from the delivery date of the initial mix. 



However, if additional revisions  are requested outside of this window, they can be completed for an additional fee of £50 per revision.

Professional online mixing is a vital stage where your recorded instruments and musical arrangements are carefully refined, edited, and balanced.
This process creates an impressive final mix, ready for the mastering phase of production.

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The journey through professional mixing and mastering is intricate and time-consuming, involving various techniques and processes.
In the highly competitive music industry, exceptional sound quality is crucial for standing out among other musicians and record labels, ensuring your music gets the attention it deserves.

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Making a strong first impression on potential listeners, fans, and industry experts is essential.

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By partnering with our professional mixing and mastering service, you give your meticulously crafted songs the best opportunity to be heard.
We are dedicated to bringing your music to life and helping your songs reach their full potential.

A Track is an audio file that typically spans all or part of a song, even when it isn’t continuously producing sound. Tracks can be in either mono or stereo depending on the source material.

A Stem is a separate audio file that represents a specific group of elements, like drums, guitars, bass, or vocals, in a song. When combined, these Stems should recreate the full mix. 



Stems don’t have to be stereo; for example, a single track like a lead vocal can be a Stem. 



Some people mistakenly call their individual tracks Stems, which can cause confusion.

A Rough Mix is an initial version of a song that isn’t intended to be the final mix. It might be created to review what was recorded during a session or could be a nearly complete mix that needs more work.

A Bus is a channel that receives audio signals from other channels through routing. 



It lets you combine multiple tracks in one place for easier level control or to apply shared processing, like compressing a combination of musical elements at the same time.

An Aux (auxiliary) send is typically used to send signals from a track to processing, like reverb, delay, or parallel processing, which is then blended back into the mix via an Aux return.



Aux sends can be switched to be either PFL or AFL, which mean the signal is sent either before or after the main volume fader on the channel. Each option has different applications.

Parallel processing is when a copy of a signal is made, either through an aux send or by duplicating a track to then be processed differently to the original source. This processed version is then blended back in to the main mix.



This is useful as you can adjust the balance between the unprocessed and processed sound to hear a combination of the sonic characteristics of both versions.

An Insert point is a routing spot where you can add processing, like a compressor or EQ, to a channel, bus, or aux return/input. It’s important to know where the Insert is in the signal path—whether it's before or after the fader or EQ—and to pay attention to gain staging.